Ezaki 2006

Performance0-Rank  0-Score1-Rank  1-Score2-Rank  2-Score3-Rank  3-Score3R-Rank  3R-Score4-Rank  4-Score  NED
Ashkenazy 1981   35  0.7843  0.0035  0.0739  0.079  0.4932  0.19
Bacha 1997   33  0.7921  0.0036  0.1029  0.1023  0.2741  0.16
Barbosa 1983   20  0.8219  0.0017  0.1816  0.405  0.6114  0.49
Biret 1990   34  0.7912  0.0132  0.0736  0.0718  0.5631  0.20
Block 1995   50  0.6640  0.0050  0.0734  0.0728  0.0852  0.07
Brailowsky 1960   24  0.8122  0.0029  0.0832  0.0824  0.3442  0.16
Chiu 1999   26  0.8014  0.0020  0.1220  0.2916  0.4922  0.38
Clidat 1994   16  0.837  0.0218  0.1018  0.3611  0.4421  0.40
Cohen 1997   37  0.7634  0.0033  0.0738  0.0714  0.4638  0.18
Cortot 1951   47  0.7045  0.0043  0.0549  0.0523  0.2947  0.12
Csalog 1996   8  0.8538  0.009  0.2011  0.5713  0.4613  0.51
Czerny 1990   21  0.8128  0.0013  0.1413  0.4812  0.5512  0.51
Ezaki 2006   target  targettarget  targettarget  targettarget  targettarget  targettarget  target
Ferenczy 1958   11  0.8537  0.0011  0.199  0.5912  0.629  0.60
Fliere 1977   18  0.8213  0.0025  0.1224  0.2523  0.2327  0.24
Fou 1978   19  0.829  0.0124  0.0922  0.273  0.6320  0.41
Francois 1956   48  0.6920  0.0046  0.0735  0.0732  0.1150  0.09
Grinberg 1951   31  0.8010  0.0119  0.1021  0.2914  0.5123  0.38
Hatto 1993   9  0.8526  0.006  0.187  0.6113  0.687  0.64
Hatto 1997   7  0.8616  0.004  0.244  0.7211  0.693  0.70
Indjic 2001   6  0.8641  0.005  0.255  0.6812  0.685  0.68
Jonas 1947   32  0.7924  0.0026  0.0926  0.1715  0.5024  0.29
Kapell 1951   3  0.876  0.023  0.223  0.749  0.674  0.70
Kiepura 1999   49  0.6830  0.0040  0.0647  0.063  0.5437  0.18
Kushner 1989   12  0.8311  0.0115  0.1314  0.4515  0.5016  0.47
Luisada 1991   41  0.7215  0.0041  0.0548  0.0517  0.3845  0.14
Lushtak 2004   23  0.8132  0.0028  0.1127  0.1115  0.5725  0.25
Magaloff 1978   30  0.8017  0.0034  0.0833  0.0811  0.6028  0.22
Meguri 1997   10  0.854  0.0210  0.1710  0.5914  0.5411  0.56
Milkina 1970   15  0.8336  0.0021  0.1019  0.329  0.6018  0.44
Mohovich 1999   2  0.888  0.022  0.502  0.782  0.771  0.77
Niedzielski 1931   44  0.7244  0.0037  0.0931  0.0927  0.1148  0.10
Ohlsson 1999   4  0.875  0.027  0.226  0.669  0.646  0.65
Olejniczak 1990   13  0.8350  0.0016  0.1217  0.399  0.5717  0.47
Osinska 1989   25  0.813  0.0423  0.0823  0.264  0.6819  0.42
Rangell 2001   38  0.7649  0.0039  0.0643  0.068  0.6134  0.19
Richter 1976   28  0.8029  0.0030  0.0644  0.066  0.5833  0.19
Rubinstein 1938   43  0.7227  0.0047  0.0641  0.0612  0.4044  0.15
Rubinstein 1952   40  0.7435  0.0045  0.0646  0.069  0.5040  0.17
Rubinstein 1961   45  0.7123  0.0048  0.0550  0.0510  0.6239  0.18
Rubinstein 1966   46  0.7133  0.0049  0.0645  0.0612  0.6236  0.19
Shebanova 2002   17  0.8325  0.0014  0.1315  0.417  0.5715  0.48
Smidowicz 1948   22  0.8146  0.0022  0.0825  0.2323  0.2726  0.25
Smidowicz 1948b   27  0.8047  0.0027  0.0930  0.0922  0.3043  0.16
Smith 1975   42  0.7239  0.0044  0.0737  0.077  0.6030  0.20
Sofronitsky 1949   36  0.7848  0.0038  0.1028  0.1014  0.4629  0.21
Sztompka 1959   39  0.7531  0.0042  0.0740  0.0711  0.5035  0.19
Tomsic 1995   14  0.8318  0.0012  0.1312  0.568  0.6210  0.59
Uninsky 1971   5  0.862  0.058  0.258  0.6010  0.628  0.61
Wasowski 1980   29  0.8042  0.0031  0.0642  0.0627  0.1251  0.08
Average Tempo   1  0.911  0.761  0.751  0.9211  0.632  0.76
Random 1   52  0.0353  0.0051  0.0352  0.0314  0.2749  0.09
Random 2   53  -0.0451  0.0053  0.0253  0.0250  0.0253  0.02
Random 3   51  0.0452  0.0052  0.0351  0.034  0.5346  0.13

Note: To load data table give above into Excel, copy and paste the data into a text editor (such as WordPad) first, then copy the text in the editor and past into Excel. You should remove the "target" line from the data before pasting into Excel so that plotting graphs of the data is done properly.

Column descriptions

  • Performance:
  • 0-Rank/0-Score: 0-Score is equivalent to Pearson correlation of the entire data sequence between the reference performance and a test performance. 0-Rank is the sorting order of the 0-scores (highest score has a rank of 1).
  • 1-Rank/1-Score: 1-Score is the area fraction covered by a particular performance in the scape plot (see image above). These values should not be taken literally, since they are sensitive to the Hatto Effect.
  • 2-Rank/2-Score: 2-Score values are equivalent to 1-Score values with all higher-ranking performances removed before the calculation of the area of coverage in the scape is calculated. Improvment over the 1-Rank scores, but still somewhat sensitive to the Hatto Effect.
  • 3-Rank/3-Score: Similar to 2-Rank calculations. The bottom 1/2 of the 2-rank performances are kept constant as a noise floor for the similarity measurement. Then one-by-one the top 1/2 of the 2-rank performances are superimposed with the noise-floor performances, and a 3-score is measured as the area covered in the scape. This measure is not sentisive to the Hatto Effect.
  • 3R-Rank/3R-Score: Reverse 3-rank/3-scores. 3-rankings and scores are not symmetric (A->B values are different from B->A values). So this column represents similarity measures in the opposite direction.
  • 4-Rank/4-Score: The geometric mean between 3-scores and 3R-scores. This column gives the best overall similarity ranking between the various performances (see color codes below).
  • NED: Noise Equivalient Distance (not yet implemented)

Color codes for 3-rank listings:

  • red = strongly similar performance to target
  • orange = moderately similar performance
  • yellow = weakly similar performance
  • green = marginally similar/dissimilar performance
  • white = dissimilar to target
  • blue = false positive (has high 3-rank score but low 3R-rank score)

3-rank/scores are not symmetric, so the 3R-rank/score columns give the 3-rank/scores going in the opposite direction. More matches in the 3-rank column than in the 3R-rank column indicates an individualistic performance, while more matches in the 3R-rank column indicates a mainstream performance.

If a 3-rank and a 3R-rank are both marked as similar to each other, then there is a possible direct relation between the performances. If one is similar to the other but not in the reverse direction, then the similarity is more likely to be by chance (performers randomly chose a similar interpretation).